AMY SMITH
123 Main Street • Atlanta, Georgia • 30339
Home: (555) 555-1234, Cell: (555) 555-1235
asmith@sample~resume.com
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Objective: Seek the Position of Grip Boss
SUMMARY: Profoundly gifted and energetic Grip Boss with huge experience supervising and coordinating activities of workers engaged in rigging and dismantling equipment, maintaining buildings and grounds, sewing material to make tents, backing, and scrim, and operating cranes, booms, or dollies to move cameras in motion picture studio or on location.
Summary of Qualifications
Seven years experience.
Strong ability to operate equipment such as crane and boom.
Sound knowledge and ability to use equipment such as backhoes, dump trucks, etc., hand and power tools, and other vehicles in a manner consistent with safety principles.
Remarkable ability to operate vehicles and equipment with both standard and automatic transmissions.
Proven ability to maintain simple records, logs, etc.
In-depth ability to perform effectively as a member of a team in carrying out the clmpany's projects.
Remarkable ability to provide a positive leadership.
Profound ability to reach, hold and grip items firmly.
Professional Experience
Galaxy TV Production Company, Minneapolis 2002 - Present
Grip Boss
Supervise and coordinate activities of workers engaged in rigging and dismantling equipment, maintaining buildings and grounds, sewing material to make tents, backing, and scrim, and operating cranes, booms, or dollies to move cameras.
Read script and confer with Director, Motion Picture and Director Of Photography to determine type equipment needed.
Requisition supplies and equipment.
Plan schedule to coordinate activities of construction, sewing room, and production workers.
Performs other duties as assigned.
Galaxy TV Production Studio, Minneapolis 2000 - 2002
Grip
Worked closely with the electrical department to put in the lighting set-ups necessary for a shot.
Responsible for moving and adjusting major set pieces when something was needed to be moved to get a camera into position.
Set up flats (movable wooden frames used in stage scenery).
Painted and decorated flats according to the scenic designer's specifications.
Dismantled scenery or set pieces when a production is completed, and stored or prepared them for return to the supplier.
Education
Associate Degree in Television Production University of New York (2000)